Northern Oklahoma College · Tonkawa

The Powerto Create

A two-year AAS degree covering 3D animation, motion graphics, digital filmmaking, graphic design and visual effects. You will not sit through theory for four semesters — you build a portfolio from the first one.

Fall enrollment opens August 4

Trained onMayaPhotoshopAfter EffectsPremiere Pro

01 — Curriculum

Six disciplines.
One pipeline.

Digital Media Animation & Design covers the whole production chain — so you graduate knowing where your piece fits and how to take a project from concept to delivery.

01

Graphic Design

Type, layout, brand and image-making for print and broadcast — the visual-design foundation the whole program builds on.

02

2D Animation & Digital Video

Motion from the ground up: 2D animation and digital video, where timing, movement and storytelling first click.

03

3D Animation & Modeling

Model it, rig it, light it, render it. Three studio courses take you from your first primitive to a finished animated shot.

04

Texturing

The surface craft — building the materials, color and detail that make a 3D model read as metal, skin, stone or glass.

05

Motion Graphics

Two courses in broadcast and film titling, animated identity and kinetic type — the work that opens every show you watch.

06

Digital Filmmaking & V/FX

Shoot it, cut it, and add the effects that were never on set — the full live-action and post-production pipeline.

Aerial view of the Northern Oklahoma College quad in Tonkawa

Tonkawa, Oklahoma

A campus you can cross in ten minutes, an hour from Oklahoma City.

02 — Outcomes

A career that
is actually fun.

Nobody grows up dreaming about spreadsheets. Graduates go into studios, agencies, broadcast and production houses — making the animation, the effects, the edit, the spot.

Tap a role to see what it is

2 yrs

To an AAS degree and a finished portfolio

17:1

Student-to-faculty ratio across NOC

70%

Of NOC students finish their degree with zero debt

1901

Serving northern Oklahoma since

03 — The room

Real gear.
Hands on it in week one.

Cinema bodies, prime glass, field monitors, shotgun and lav audio, a drone for aerial work, and a lab of workstations you get your own seat at.

A multi-monitor workstation running Maya, After Effects, Premiere Pro, Photoshop, Illustrator and Audition
Industry software — Maya through Audition
A rigged cinema camera with a shotgun microphone and field monitor in the DMI lab
Production kit — camera, monitor, audio
Rows of workstations in the Digital Media Institute lab
Your own workstation, every session
Cinema drone with controller and spare batteries
Aerial cinematography — drone work
The Digital Media Institute lab with projection screen and workstations
Screening and critique space
Aerial view of a historic red brick academic building on the Tonkawa campus
Tonkawa, Oklahoma — where all of it happens

04 — Next step

Come see
the lab.

The fastest way to know if this is for you is to walk through it. Brad will show you the equipment, the student work, and what a normal week actually looks like.

Want to be a part of the Creative Station of Imagination? We have several spots waiting for you — power to the creators.

Brad Matson · Director & Instructor, Digital Media Institute
Brad Matson, Digital Media Institute program contact

Brad Matson

Director & Instructor, Digital Media Institute

Request a visit

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